I carry forward her legacy of love, compassion, and a beautiful, boundless dream. My mother was, and will always be, my greatest inspiration.
Sahar Quaze
Author and Film Writer
Mumbai
Who are the sources of inspiration behind your creativity across different fields?
My deepest sources of inspiration come from my late (mother) Zarreen Taj and maternal aunt, two extraordinary women who were both esteemed theatre personalities. Their passion for the arts is something that runs through my veins—it’s a heritage, a legacy passed down to me.
My maternal aunt had a dream to become an actress, to step into the world of cinema. Secretly, she sent her photographs to what was then the Film Institute of India, now known as the Film and Television Institute of India. I used to hear my mother laugh as she told the story of how my aunt would walk the lawns of our home, anxiously waiting for her admission letter. But fate had other plans—on the very day the postman arrived, the letter, meant for my aunt, landed in my mother’s hands, as well as those of my other elder aunt. And before my aunt could even hold that letter, her marriage was arranged—an event that happened almost in an instant.
Back then, especially in Muslim families, there was a cultural belief that women should not venture into the glamour and uncertainty of the entertainment industry. It was a different time, and those dreams were swiftly closed off. My aunt, along with my mother, had to give up on their passions—my aunt, sacrificing her dream, and my mother, who quietly let go of her own.
I am the second generation now, fulfilling the dreams they once had for themselves. I carry their hopes, their unspoken aspirations, and I know that every step I take in this field is a tribute to the strength, love, and sacrifice they endured. They never got the chance to live those dreams, but through me, their legacy lives on.
Which is your own favourite film as a film writer and why?
They are as follows:
The Shawshank Redemption: Hope is a powerful thing, and sometimes, it’s the only thing that can set you free.
Schindler’s List : One man’s courage to make a difference saved over a thousand lives during the Holocaust.
Indian many: The recent ones are: 12th Fail, Lapata Ladies, Meiyazhagan, Maharaja etc.
How do you remember your initial days of struggle to establish your career in Bollywood?
I consider myself incredibly fortunate. My parents provided me with the unwavering support and strength I needed when I first arrived in Mumbai. That kind of foundation—having your family’s belief in you—is priceless. It’s the kind of support that helps you weather the storms and keep pushing forward, no matter how difficult the journey. As the first generation trying to make my mark in the unknown and tough land of Mumbai, the journey was extremely tough, but I was determined. That determination came from the strength I drew from home.
Now, with my own beautiful family and a home shared with my (husband) Captain Azharuddin Khan, I feel as though everything has come full circle. My husband is not just my partner—he is my home. He is the safe space where my dreams are constantly nurtured, where his unwavering support helps me grow and reach for the stars, even when the path seems uncertain. In his love, I find strength, and in his belief in me, I discover courage I never knew I had.
Mumbai, this city that once felt like a distant dream, has become my own beautiful home. It’s where my dreams are no longer just hopes, but a reality I get to live every day. The love, the support, the warmth of my family, and the industry I am part of—they all come together to make this life feel like a miracle. It’s the place where dreams meet, collide, and come true.
In today’s web series landscape, the use of bold and often controversial dialogues has become quite prevalent. Do you believe that such dialogues are essential for a series to gain popularity, or is it simply a trend? What’s your take on this?
I believe that the rise of bold and sometimes provocative dialogues in web series is very much a reflection of the changing landscape of entertainment. The digital space, especially with streaming platforms, offers creators more freedom to experiment with content that may have been considered too edgy or taboo for traditional TV. It’s a way to push boundaries, explore more complex characters, and reflect real-world conversations that may be uncomfortable but necessary.
However, while these dialogues can certainly add impact and create buzz, I don’t think they are absolutely necessary for a series to gain popularity. Great storytelling, relatable characters, and emotional depth still hold far more weight in the long run. A compelling narrative and well-developed arcs will always have a lasting appeal, even without the need for shocking or vulgar language. I think the key is balance—using strong dialogues where appropriate, but not relying on them as a crutch. At the end of the day, it’s the substance of the story and the quality of the performances that make a series truly memorable.
There is always some criticism in the creative work. How do you accept criticism on your work?
Criticism is an inevitable part of any creative journey, and I believe it’s essential for growth. At first, it can sting- especially when you have poured so much of yourself into your work. But over time, I have learned to accept it with an open mind. For me, criticism isn’t about personal rejection; it’s about improving my craft and understanding other perspectives.
I try to separate myself from the work, to view it objectively. Is the feedback constructive? Does it offer a new way of seeing things or highlight areas I could improve? If the answer is yes, I embrace it and use it as an opportunity to learn. After all, as artists, we are constantly evolving, and sometimes the harshest feedback leads to the most significant breakthroughs.
That said, it’s important to find a balance—some criticisms can be more about someone else’s taste or expectations, and that’s not something I can always control. But as long as I feel connected to the work I create, and I am staying true to my vision, I take everything in stride and keep pushing forward.
What draws you to explore social issues and human psychology in your work?
I have always been deeply drawn to exploring social issues and human psychology in my work because of my upbringing. Growing up in a Zamindar family, I had a unique vantage point—I saw firsthand the stark contrasts between different classes and the complexities of human behavior across social strata. It wasn’t just a theoretical understanding; it was something I experienced daily. My parents were both deeply involved in social work, so I was constantly exposed to the realities of life at the grassroots level.
This early exposure to diverse perspectives, struggles, and human emotions shaped my worldview. I saw the power of empathy, the need for change, and how deeply social issues impact people’s psychology. It made me realize that to truly understand the world, you need to look beyond the surface and engage with people from all walks of life. My upbringing gave me a strong foundation in understanding the nuances of human behavior, and I carry that with me in my work. It’s not just about telling a story—it’s about understanding what drives people, what hurts them, and how we can reflect that truthfully through art.
Could you share how you developed your signature style of creating characters with ‘wounds’? How do these elements shape your stories?
I believe that every human being carries some kind of wound—whether it’s emotional, psychological, or even physical. We are all conflicted in some way, and it’s these imperfections, these inner battles, that make us truly human. It’s what makes a character feel real, relatable, and layered. I have always been drawn to exploring these ‘wounds’ because they are what drive people, shape their decisions, and ultimately define who they become.
For me, creating characters with wounds isn’t about glorifying suffering; it’s about understanding the complexity of human nature. Every character has their own story, their own pain, and it’s through that struggle that they either break or grow. I approach my characters with deep honesty, allowing myself to truly understand their emotional landscapes, rather than simply assigning them a flaw or a tragedy. It’s about seeing their wounds as part of a larger narrative—the way they cope with their pain, how it affects their relationships, and how it influences their actions.
These emotional scars shape the stories I tell because they allow for real conflict and growth. Without conflict, there is no resolution, no evolution. The wounds my characters carry give the story texture and depth. They allow for moments of vulnerability, self-discovery, and change. Ultimately, it’s through embracing these wounds and understanding them that we, as creators, can tell stories that resonate with audiences on a deeper, more personal level.
You have written for both television and film. How is the experience different for each, and which one do you enjoy the most?
Both television and film offer unique experiences, but I believe film allows for a more expansive way to express ideas. In cinema, you have the freedom to tell a story in a more condensed, focused manner, with greater control over pacing, visuals, and the emotional depth you can explore. The medium gives you room to breathe and fully immerse the audience in a singular vision. Television, on the other hand, while incredibly rewarding, can sometimes feel more restrictive. It often requires a more serialized approach, where you need to consider the long-term arcs and structure across multiple episodes or seasons, which can sometimes limit the immediate impact of a story.
That being said, I enjoy both mediums because writing, at its core, is an equal task in either. The challenge is the same—creating compelling characters, building tension, and keeping the audience engaged. However, I do have a natural inclination towards film. There’s something magical about the silver screen, about crafting a story that unfolds in two hours and leaves an indelible mark on the viewer. It’s a bigger dream for any writer—the opportunity to see your words and vision come to life on that grand canvas.
Your independent song “OotPatangi” was recognized internationally. How did it feel to see it celebrated on Times Square?
Honestly, I tend to undermine myself a lot and prefer to lay low. I am not someone who boasts about achievements—like the fact that I got my first film break at 25, especially coming from a non-filmy background. It’s just the way I approach my work. So, when I found out about ‘OotPatangi’ being recognized on Times Square, it really took me by surprise. One morning, a college friend messaged me a news article about it, and I was overwhelmed to see it everywhere. It felt surreal.
The first thing I did was share the news with my family, and of course, with my husband. My family has always been my biggest cheerleader, and their support has meant everything to me. To see my work celebrated in such a big way, especially when I have always kept my head down and focused on just doing my best, was truly humbling. It was a moment of realization that sometimes, the quiet work you put in, the passion you pour into your art, does get noticed—and it felt incredible to see that recognition on such a grand platform.
Could you tell us about your process when translating dialogues for multilingual films? How do you ensure they retain their original impact?
Translating dialogues for multilingual films is always an interesting exercise, and it comes with its own set of challenges. The key is ensuring that the essence and emotional impact of the original dialogue are preserved, even when it’s expressed in a different language. It’s not just about literal translation—it’s about capturing the nuances, tone, and cultural context that make the dialogue resonate with the audience.
Each language has its own rhythm and emotional weight, so the challenge lies in finding the perfect balance between staying true to the original meaning and adapting it to sound natural in the new language. There’s also the added layer of considering regional variations, idioms, and expressions that could make the dialogue feel more authentic to the target audience.
Ultimately, it’s about making sure that no matter what language the film is in, the core emotion, humor, or intensity of the scene is intact. It’s a creative process, one that requires a deep understanding of both languages and cultures, and I find it extremely rewarding when the translated dialogues land just as powerfully as the original.
What role does the law of the Universe and manifestation play in your creative journey and personal life?
The law of the universe and the concept of manifestation have played a profound role in both my creative journey and personal life. I believe that our thoughts and intentions hold a certain power—they shape our reality, influence our decisions, and even attract opportunities. I have always tried to align my actions with the energy I want to put out into the world. When you truly believe in something and work towards it with sincerity, it’s almost as if the universe finds a way to help you get there.
In my creative process, manifestation is about visualizing the kind of work I want to create, the impact I want to make, and the stories I want to tell. I set my intentions clearly, and then trust that the right opportunities, people, and experiences will come along. It’s not just about wishful thinking—it’s about working hard and being open to what the universe presents, while maintaining a mindset of gratitude and abundance.
On a personal level, the law of attraction has taught me to trust the flow of life, to stay positive, and to keep faith that everything unfolds as it should. I have found that when I am in tune with my own energy and stay true to my purpose, things tend to fall into place in ways I never could have anticipated. It’s this combination of intentionality and openness that has guided me through both my career and my personal growth.
As someone with both a Master’s in Mass Communication and an MBA in Media Management, how has your educational background shaped your career?
Having a Master’s in Mass Communication and an MBA in Media Management has undoubtedly shaped my career in profound ways. I think one of the biggest advantages of my educational background is that it gives me a sense of security and confidence in my work. I don’t feel insecure about navigating the creative industry because I know I have the knowledge and skills to pivot, if needed. My education serves as a solid backup plan—almost like a second choice I can rely on anytime.
While I am deeply passionate about my creative work, the business side of media and communication is also something I understand well, which helps me approach projects with a more holistic perspective. I am not just thinking about the art; I am also considering the logistics, audience engagement, and the long-term sustainability of any project. This combination of creativity and business acumen allows me to make more informed decisions and take calculated risks in my career.
What advice would you give to aspiring writers who want to create meaningful stories that address social issues?
My advice to aspiring writers who want to create meaningful stories addressing social issues is simple: Write with the ink of your soul. When you pour your true emotions, life experiences, and beliefs into your work, it becomes genuine, powerful, and impactful. Don’t just write for the sake of addressing an issue—write because it matters to you, because it moves you on a deep level. Only then will your words resonate with others.
Stories that address social issues need to be grounded in truth, compassion, and a desire to create change. The most effective writing comes from a place of honesty, where you’re not just telling a story, but engaging with the heart of the issue. If you write from a place of authenticity and raw emotion, your work will speak for itself and create the kind of impact you hope for.
Which are your expectations from your life partner?
My expectations from my life partner are simple: Our energies should always be in sync. I believe that when two people share a deep connection, where their values, goals, and emotions align, it creates a foundation for a happy, fulfilling life. It’s not about perfection, but about mutual respect, understanding, and the ability to grow together. When you are in harmony with each other, life becomes a beautiful journey, no matter what challenges come your way.
What are your compliments for your late mother?
My late mother Zarreen Taj, is who I am. She lives in me, in every moment, every thought, every action. I truly believe that mothers never die—they continue to guide and shape us even after they’re gone. I am a total replica of my mother, and I have inherited her kind heart, which I consider my superpower. She was the epitome of grace, love, and affection. She lived her life for others, and it was nothing short of beautiful.
What she taught me, through her actions and her spirit, is to live with passion, to love deeply, and to chase my dreams fearlessly. She was the one who encouraged me to pursue my dream of being part of the film industry, even when the path seemed uncertain. Her belief in me has always been my strength, and now, I carry forward her legacy of love, compassion, and a beautiful, boundless dream. My mother was, and will always be, my greatest inspiration.
Which is your favourite quote?
If you want to change the world, go home and love your family. Mother Teresa. This quote resonates with me deeply because it highlights the power of love and compassion in the most intimate spaces of our lives. We often look for ways to make a big impact on the world, but it all begins at home—through the relationships we nurture and the love we give. When we start by loving and supporting those closest to us, we create a ripple effect that can extend beyond our immediate circles. It’s a reminder that the smallest acts of love and kindness can have the greatest impact.
