Nature has always been my greatest inspiration—it’s full of colours, emotions, and an unspoken sense of positivity.
Rachna Aggarwal
Artist
Founder –
Nature’s Spectrum
New Delhi
Your background is quite diverse, with a BBA and a diploma in interior design. How have these experiences, particularly in business and interior design, influenced your artistic journey and your approach to art?
Pursuing a BBA from NMIMS equipped me with valuable marketing skills that I apply in everyday life. Now, as an artist, those skills have given me the confidence to market my paintings more effectively. With a keen eye for design, I also understand the strong connection between interior decor and art. I offer customised artworks that not only reflect personal expression but also complement interior spaces beautifully—allowing me to guide clients with more thoughtful and cohesive suggestions.
You mentioned returning to art because it “truly resonated with your soul.” Can you elaborate on that moment or period in your life when you decided to fully embrace art, and what prompted that shift?
During the quiet, uncertain times of COVID, something within me was stirred—I felt a deep urge to create art. Surrounded by sadness and isolation, I wanted to bring light, hope, and a sense of joy to people’s lives. That’s why my paintings are so vibrant and full of colour—because I truly believe that art has the power to uplift, transform spaces, and spark a sense of positivity wherever it’s placed.
Your artist statement speaks about art’s power to “awaken something within” and to “stir emotions.” Can you share an example of a time when your own art, or perhaps someone else’s, had such a profound effect on you?
My signature style blends fluid art with elements of realism. For me, fluid art is a symbol of freedom. Whether it’s a human, an animal, or a bird—every being faces some form of restriction in life. Through my work, I aim to liberate a part of their soul. I believe nothing should be confined or told how to be. We all deserve the freedom to live on our own terms, and I hope my art becomes a gentle reminder of that liberation.
Your mission is to invite viewers to “reconnect with their own voice” and “embrace their freedom of expression.” How do you intentionally weave this invitation into your creative process and the artwork itself?
I want my viewers to see themselves in my art—to truly feel it, connect with it, and find a reflection of their inner selves within it. I hope my work acts like a mirror, not of who they are now, but of who they long to be—unrestricted, uninhibited, and free. At my recent exhibition, many people shared that my paintings spoke to them on a personal level. For me, that was the greatest success—knowing that my art could touch someone’s soul and make them feel seen.
Let’s talk about your “Nature’s Spectrum” series. What was the initial spark or inspiration that led you to explore the natural world through a contemporary, semi-abstract lens?
Nature has always been my greatest inspiration—it’s full of colours, emotions, and an unspoken sense of positivity. In a world that’s constantly moving and often overwhelming, I want my art to be a moment of pause. A space where someone can stand in front of my work and feel liberated, joyful, and alive.
As a Delhi-based artist, how does the vibrant and diverse environment of Delhi influence your work, if at all, especially in a series like “Nature’s Spectrum”?
Being based in Delhi comes with its own set of advantages—especially as an artist. It’s a vibrant city filled with art, culture, and passionate art lovers. I find myself visiting galleries and attending shows almost every week, constantly meeting new people from the creative world.
This kind of exposure and interaction is something I feel is limited in a smaller city like Raipur. The opportunities, connections, and artistic energy in Delhi offer a far richer ground for growth—something that’s essential for an emerging artist like me.
The series title, “Nature’s Spectrum,” suggests a wide range of colors and perhaps emotions. How do you use “fluid forms and bursts of colour” to evoke positivity and tell a soulful story within each piece?
My signature style—fluid art—represents freedom and happiness. Through my semi-abstract forms, I aim to tell stories that speak not just to the eye, but to the soul. I want my art to go beyond aesthetics and become an emotional experience—one that resonates deeply and leaves a lasting feeling.
You describe the paintings in “Nature’s Spectrum” as “soulful conversations.” For someone viewing your work for the first time, what kind of conversation do you hope they might have with a piece from this series?
Someone once told me that when they look at my paintings, it feels as though the artwork is speaking to them. And that’s exactly what I hope for. My paintings are not just meant to be seen—they’re meant to be felt.
I want them to connect with your soul, to stir something within, and to become a conversation—not just with the world, but with yourself. Each piece holds a story, an emotion, a moment—and my hope is that it resonates with the part of you that words often can’t reach.
The fluidity in your strokes is said to mirror “the liberation of self-expression.” Can you walk us through your creative process for a typical piece in “Nature’s Spectrum” and how this sense of liberation manifests?
In my painting A Floral Masquerade, I have captured the powerful moment when the fire within her begins to awaken—the petals of her true self slowly unfolding. Her crown of flowers is more than just decoration; it’s a symbol of resilience, individuality, and the quiet strength that comes from choosing your own path. She is no longer afraid to take up space, to be bold, and most importantly, to feel free.
Your first solo show at Bikaner House sounds like a remarkable experience. What was the most unexpected or surprising reaction you received from a viewer during the exhibition?
As an emerging artist, getting the opportunity to present a solo show at a prestigious gallery like Bikaner House felt like a dream come true. But what made the experience truly unforgettable was the heartfelt feedback I received.
The reason I create art is to evoke connection—and I felt that purpose fulfilled when someone looked at one of my paintings and said, “I see myself in this.” They saw it as a mirror of their own journey and bought it instantly. That moment affirmed everything for me. It was the reassurance I needed—that maybe, just maybe, I am doing something right.
Beyond the positive feedback, what was the most significant “beautiful learning experience” you gained from your Bikaner House solo show? How has it impacted your artistic direction or confidence moving forward?
At the exhibition, I had the chance to meet so many people from the art world—fellow artists, collectors, curators, and critics.
What touched me the most was realizing that while I may have my own story behind each painting, viewers often see their own stories in them—sometimes even more beautiful than what I had imagined. That exchange, that shared storytelling, became the most valuable learning experience for me.
What’s next for Rachna Aggarwal? Are there any new themes, series, or artistic explorations you are currently contemplating or working on?
I am now planning to do more shows—both in India and internationally—as I continue to grow and explore as an artist. At the moment, I am deeply immersed in experimentation, allowing my work to evolve organically. I will be bringing out a new series soon, one that truly resonates with me before it’s shared with the world.
My next exhibition will be in October at the Imagine Fest in Delhi. Through it all, my intention remains the same: I want my art to become a voice for those who struggle to express their emotions. If my work can speak for someone, even silently, then I know I have created something meaningful.
